The Audio Journal

Stories from the Control Room

Production techniques, technical engineering deep-dives, and creative philosophies curated directly by our engineering team in Nashville, Tennessee.

The Crown Jewel of Pianos: The Steinway Baby Grand

When Henry Steinway and his sons founded Steinway & Sons in 1853, they set out to build the...
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The Most Famous Name on Drums: The Legacy of Ludwig Drums

When brothers William F. and Theobald Ludwig founded the Ludwig & Ludwig Drum Company in 1909, they set...
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Outboard Stereo Effects: Inside the Lexicon MX300 Stereo Reverb & Effects Processor

When it comes to the history of digital audio, few names carry the legendary status of Lexicon. For...
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Cranking the Hog: Inside Tallon Electric and Bilmuri’s Signature Tone Machine

When it comes to modern guitar tones that straddle the line between chaotic heavy math-rock, massive pop-punk hooks,...
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The Modular Rack: Inside the 500-Series API Lunchbox

When it comes to modern studio flexibility, few formats have revolutionized workflow quite like the 500-series modular chassis....
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The Trinity of Tone: Exploring Ampex, Mesa, and Fender Guitar Amps

Every great guitar recording relies on a delicate balance of electricity, wood, wire, and vacuum tubes. While pristine...
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Vintage Warmth, Modern Control: The Neve 5052 Mic Pre / Inductor EQ

When it comes to shaping individual tracking elements, having the right front-end chain can make or break a...
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Precision Meets Power: Why the Focal SM9 Monitors Define Modern Reference Monitoring

When you are tracking intricate vocal transients or dialing in the low-end translation of a master mix, your...
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The Heart of the Control Room: Why the Neve 5088 is the Ultimate Analog Console

When legendary designer Rupert Neve set out to create his ultimate analog mixing console, he didn’t just look...
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